Three new directors joined the team to provide fresh voices: Joaquim Dos Santos (“The Legend of Korra”), a specialist at action choreography Kemp Powers (the “Soul” co-director and Oscar-nominated screenwriter of “One Night in Miami”), who sharpened both the cultural authenticity of Miles as a superhero of color and the universality of his coming-of-age story and Justin K. Yet this sequel was a tremendous undertaking, requiring two stories to complete Miles’ journey and a whole new set of tools and techniques from Sony Picture Imageworks. It’s something we can relate to, and it’s something that makes these stories really rich.” “That’s what we love about this character, that their obligation to the heroism is always compromising their personal happiness. “Miguel says being Spider-Man is a sacrifice,” added Lord. And this story begs for it because you’re going to all these different worlds, and each one can look like its own bespoke animation style and have a reason to look that way.”Īnd Miles serves as the perfect creative muse for the producers: a restless, artistic teen who believes anything is possible in charting his own path. And, for us, it’s an opportunity to showcase how limitless the possibilities are. And from an animation standpoint, obviously, our whole career we’ve been trying to push American studio animation into more radical places. I think, for us, the edges are the joyful part of it. “Some people don’t like the work to have no seams, to be sanded down, and have no edges. “We like to celebrate when things don’t match,” Lord said. There’s Earth-65, where Gwen’s Spider-Woman hails from, designed to look like watercolor paintings Earth-50101, home to Pavitr Prabhakar (Karan Soni), based on the Spider-Man India comics, which they dubbed “Mumbattan”as a mash-up of Mumbai and Manhattan Nueva York, the futuristic world from Marvel 2099, where Miguel lives the rebellious New London, inhabited by Daniel Kaluuya’s Hobie, the Spider-Punk and a nightmarish world whose identity will remain spoiler free. These new places comprise the aesthetically audacious world-building of “Across the Spider-Verse,” which far surpasses its game-changing predecessor. “But a lot of the ideas that he came up with are in this picture and actually even more in the next,” Lord told IndieWire.Ī visual development image featuring Pavitr Prabhakar, aka Spider-Man India, Gwen Stacy and Miles Morales fighting The Spot in the city of Mumbattan on Earth-50101 Aymeric Kevin The producers began discussing the sequel with screenwriter David Callaham (“Shang-Chi and the Legend of the Ten Rings”) during the completion of “Into the Spider-Verse,” and he provided a whole version of a slightly different story. In “Across the Spider-Verse,” which the producers call their “Empire Strikes Back,” Miles (Shameik Moore) travels through several multiverses with love interest Gwen Stacy (Hailee Steinfeld) and Spider-Society (led by Oscar Isaac’s Miguel O’Hara) to prevent the destruction of their worlds by Spot (Jason Schwartzman), who traverses time and space through inter-dimensional portals on his body. (“Beyond the Spider-Verse” will be released March 29, 2024.) After their mind-blowing “Spider-Man: Into the Spider-Verse,” Oscar-winning producers Phil Lord and Chris Miller break even more animation rules in “Across the Spider-Verse,” the second installment in Miles Morales’ three-part journey about becoming the most creative and individualistic Spider-Man.
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